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¬†¬† The Royal Copenhagen Porcelain factory was founded in 1775, under the protection of Queen Juliane Marie, by the chemist, Frantz Heinrich M√ľller, who following years of experimentation and trials finally mastered the production the coveted hard porcelain.
¬† The three waved lines, symbolizing Denmark‚Äôs three straits: √ėresund, Store B√¶lt and Lille B√¶lt, are adopted as the trademark. One above the other, were adopted as a factory mark in 1775.
  The factory was beset by difficulties during its first few years, but the problems of 'poor raw materials, lack of experience, unsuccessful firings, disappointing experiments' were eventually overcome, and in 1779 the absolute monarch King Christian VII assumed financial responsibility, thus guaranteeing the future of the porcelain factory.
¬† As with many other early porcelain factories the greater proportion of Royal Copenhagen porcelain was painted cobalt blue before glazing. At the time it was the only colour to withstand the high temperatures required to fuse the porcelain mass and the glaze to make Chinese style porcelain. Royal Copenhagen continues to produce china and dinnerware in the traditional ‚Äúblue and white style,‚ÄĚ it has become the factory‚Äôs mark of distinction.
  The first dinner service pattern produced by the factory was the 'Blue Fluted', a popular pattern with a number of companies since the taut stylized floral motive originated in China and was considered the epitome of genuine porcelain. Royal Copenhagen still continues to paint the pattern by hand, even today. 'Blue Fluted' would gradually become synonymous with Danish porcelain. In 1779 another blue dinner service was introduced and it is also still in production today the 'Blue Flower', reflecting the contemporary European style of naturalistic flowers.
  One of Royal Copenhagen's most famous patterns is the 'Flora Danica'. This service, still in production, is renowned as the most exquisite and most expensive in the world.The 'Flora Danica' was originally commissioned in 1790 by the Danish king, according to legend, for Catherine the Great of Russia.
'Flora Danica'
Danish flora is reproduced on the porcelain copying the copperplates published in one of the Age of Enlightenment’s greatest botanical works, Flora Danica. When the service was delivered to the royal family, twelve years later, it comprised 1,802 pieces. The service is revived for the marriage of Princess Alexandra of Denmark to the future King Edward VII of England, in 1863.
  During the early part of the 19th Century wars rage in Europe, and the English bombard Copenhagen in 1807 causing large-scale devastation that almost destroyed the the factory. Production in the factory was reduced and even stopped, but a marked change from 1816 to 1850 sees the factory flourish again not only in terms of growth but also in style and design. The Golden Age of Danish culture sees the porcelain factory’s artistic performance raised to such a pitch under Artistic Director G. F. Hetch’s leadership that the factory in 1851 is qualified to participate in its first official exhibition, the World Exhibition at the CrystalPalace, London.
   Absolute monarchy was abolished in Denmark in 1849 and the porcelain factory is now compelled to prove its viability on the free market. Following a period of decline the Royal Copenhagen Porcelain manufactory comes into private hands, in 1868.
  In 1882 the faience factory Alumina purchases the Royal Copenhagen Porcelain Manufactory, which shortly afterwards moves to a modern factory building at Alumina’s site in Frederiksberg, on the outskirts of Copenhagen. Royal Copenhagen still operates from here today.
  Other than its famous dinner service patterns Royal Copenhagen is famed for its Christmas Plates and figurines. In 1895 the first Christmas Plate is produced using newly developed under glaze techniques. Using a specific version, on which the decoration is cut in relief and interchanging layers of colour produce a variety of blue shades. The production of Christmas plates continues today.
¬† Royal Copenhagen is now the porcelain division of Royal Scandinavia which was formed with the merger of Royal Copenhagen and the he Swedish glass works Orreefors Kosta Boda. Royal Copenhagen had already bought Georg Jensen Silver smithy in 1972, and incorporated with Holmegaards Glassworks in 1985 and with Bing & Gr√łndahl in 1987. The intention was to secure a strong position for the Danish art industry globally. The latest merger, Royal Scandinavia, now sees the best of Danish and Swedish art industry combined.